'Autopilot' is apt here as most of the film is set on an airplane that
is circling the airspace around Madrid
waiting for a runway to open up for an emergency landing. There is a technical
fault with the plane and so they need to land immediately rather than continue
to Mexico ,
their original destination.
In Spanish the title is a play on words. "Pasajeros" can mean
"passengers" but also "fleeting, short-lived". So "Los
Amantes Pasajeros" could be translated as "The Fleeting Lovers",
with a hint to the idea that all the characters are passengers on an airplane.
The title in English, however, comes from the Pointer Sisters' song that
the three air stewards perform to entertain the passengers. The song, and the
performance, are fitting in their campness. It is a very camp film, epitomised
by the three air stewards who are the centre of the film, and the key to the
comedy, filthy and explicit and direct as it is. Javier Cámara - who starred in Almodóvar's earlier film
Talk to Her - is especially good as the head steward who is incapable of not
telling the truth.
It is useful to note that the beginning of the film is totally
deceptive. The first scene shows us some of the airport crew failing to perform
basic maintenance, thus explaining the technical problems later experienced by
the plane. Two of this ground crew are played by Penelope Cruz and Antonio
Banderas. After this scene they disappear and are never seen again, each
appearing for a total of about three minutes.
For fans of Almodóvar, this film is like a snack, while they are waiting
for a real meal. It is a bawdy, juvenile, colourful, chaotic, vivid, hilarious,
lazy farce. It is worth seeing if you want to laugh a lot and are not easily
shocked, but you need to know what you're letting yourself in for.
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